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Article: How to Use Off-Camera Flash to Change Background Color – Without Changing the Background

How to Use Off-Camera Flash to Change Background Color – Without Changing the Background

Photographer and educator Ryan Troy is back in studio with a quick and clever lighting tutorial showing how to completely transform the look of a backdrop using nothing more than strategic light placement. No background swaps, no Photoshop tricks – just off-camera flash, modifiers, and positioning.

One Backdrop, Two Looks


Ryan’s working with Savage’s Mocha seamless paper – a light brown tone – but points out that Savage also offers a darker brown version. His goal: to show how to make one backdrop look like both, simply by controlling the light. This not only saves money but keeps your setup streamlined.


He starts with his go-to beauty portrait setup:

  • A large umbrella in front, acting as the key light
  • A reflector on a posing table bouncing light back up for a soft, butterfly-style lighting pattern

With the umbrella aimed directly at the model and some spill hitting the background, the mocha backdrop looks bright and light.

3 portraits of young black female model against light brown background.

Then, Ryan adds a white V-Flat to bounce light back onto the subject from the side. Once he feathers the umbrella forward and away from the backdrop – and uses the V-Flat to redirect the light toward the subject – the background immediately shifts to a much darker tone. The backdrop hasn’t changed at all, but the light falloff makes it look like it has.

3 portraits of young black female model against dark brown background.

Controlling Light, Controlling Background


The secret is simple: If your key light spills onto the background, it’ll appear lighter. If you keep that light off the background – by feathering it forward and controlling the bounce – it darkens significantly. Ryan fine-tunes this with a reflector under the model’s chin and a white V-Flat beside her. This keeps the subject well lit without allowing light to hit the background.

Off-camera flash lighting setup in studio with model next to V-Flat

He even drops in a kicker for extra polish: a Godox AD300 Pro mounted to a varipole using a super clamp and spigot. It’s tight in his studio, so this overhead solution gives him the flexibility he needs without cluttering the floor. The kicker has a grid attached for controlled light spill and adds subtle separation between subject and background.


Ryan mentions he’d typically place the kicker opposite the main light, but in this quick demo, he keeps it on the same side – and the results still look great.


Gear Breakdown


Here’s what Ryan uses in this setup:

  • Key Light: Godox AD600 Pro with a large umbrella
  • Kicker Light: Godox AD300 Pro with grid
  • Modifiers: V-Flat, reflector on a posing table
  • Mounting: Varipole with super clamp and spigot for overhead mounting
  • Camera: Nikon Z8 with 85mm and 105mm macro lenses

This setup is quick to execute, space-friendly, and delivers impressive versatility using just a single background. Ryan’s approach is a great reminder that small tweaks in light direction and modifier use can completely change the mood and tone of your portraits – no gear overload required.

Wanna Learn More?


We’ve got over 100 videos on our Behind the Scenes page with tips and tricks for photographers and videographers of all genres. 

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